'Nights in Rodanthe' review

Life's a beach for Richard Gere and Diane Lane in romance that quickly washes away

By Matt Pais

Metromix
September 25, 2008

 
Critic's Rating:
3

'Nights in Rodanthe' review
Photos:
A scene from the film "Nights in Rodanthe." A scene from the film "Nights in Rodanthe." Richard Gere as Paul and James Franco as Mark in "Nights in Rodanthe." Diane Lane as Adrienne and Viola Davis as Jean in "Nights in Rodanthe."
Nights in Rodanthe
Running time:
96 minutes
Rated:
PG-13
Cast:
Richard Gere -
Dr. Paul Flanner
Diane Lane -
Adrienne Willis
Christopher Meloni -
Jack
Viola Davis -
Jean
Scott Glenn -
Robert Torrelson
See full cast
Director:
George C. Wolfe
Genre:
Drama, Romance
Official Movie Web Site:
http://nightsinrodanthe.warnerbros.com/
Overall User Rating:
4 1/2 (3 ratings)
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Emotions, desires and possible hurricanes rage around a North Carolina bed and breakfast, where stand-in keeper Adrienne (Diane Lane) contemplates going back with her husband (Christopher Meloni) while falling for the inn's only guest, divorced doctor Flanner (Richard Gere), who's coping with the loss of a patient. James Franco also stars as Flanner's estranged son.

Big question:
Will the latest adaptation of a Nicholas Sparks novel, which re-teams "Unfaithful" co-stars Lane and Gere, be beloved like "The Notebook" or just immensely, unconvincingly sappy like "A Walk to Remember"?

Skip it: Until movie theaters offer the same comforting, carefree mindset as sand and surf, beach reading won't truly translate to the big screen. "Rodanthe" offers not a grain of imagination or surprise, just a familiar, melodramatic tragi-fantasy that, at least, resists cuing the strings and pumping up the tear-jerking too often.

Catch it: To see the pair discuss that, even if you're preparing for a hurricane, there's just no excuse to have lard and succotash stored away in the pantry. Though it's a decent way to fight off hunger in desperate (or non-desperate) times.

Bottom line: There's something to be said about a well-acted demonstration of real love that's soapy but true and certainly preferable to the sticky stuff in most other pre-packaged, insincere romances these days. Now it's time for movie studios to trust audiences will want more than the most obvious, blatant and far-fetched developments in their love stories, and give us a tale that really means something off the page and screen.

Bonus: Adrienne recalls being younger and using a Barbie doll's head as a ball and Barbie's body as the bat. This is a great idea if Major League Baseball ever wants to make the game new and different. And tiny.

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