Movie review: 'The Eye'

By Michael Phillips

Tribune movie critic
February 1, 2008

 

Movie review: 'The Eye'
Jessica Alba in "The Eye" (Credit: Lionsgate)
Photos:
A scene from the film "The Eye." A scene from the film "The Eye." A scene from the film "The Eye." A scene from the film "The Eye."
The Eye
Running time:
97 minutes
Rated:
PG-13
Cast:
Jessica Alba -
Sydney Wells
Alessandro Nivola -
Dr. Paul Faulkner
Parker Posey -
Helen
Director:
David Moreau, Xavier Palud
Genre:
Horror
Official Movie Web Site:
http://www.lionsgate.com/theeye/
Movie Trailer:
Overall User Rating:
4 (9 ratings)
Be the first to review
2 stars out of four

The most vivid aspect of "The Eye" is its poster image, that of a huge female eye with a human hand gripping the lower lid from the inside.

The least vivid aspect is the way Jessica Alba delivers a simple line of expository dialogue. Talking to the secretive Mexican mother whose late, tormented daughter's peepers have ended up in Alba's skull in a cornea transplant, the actress strives for conversational but ends up sounding a little sleepy. "Did Ana ever ... see things she couldn't explain?" Alba asks. During the "..." part she seems to have forgotten the question.

It's not a bad film, actually, just functional and relatively tasteful (talk about your horror-related mixed blessings). The original 2002 Hong Kong version of "The Eye" laid out a clear blueprint for screenwriter Sebastian Gutierrez and directors David Moreau and Xavier Palud. Alba plays a violinist blinded in a firecracker-related childhood accident. Post-transplant, she's haunted by scarifying dreams as well as waking visions of phantoms, wraiths, people hurling themselves at the camera and flames, flames, all the time flames. Alessandro Nivola plays a skeptical yet sensitive doctor.

Spoiler alert! Details about the ending are revealed in the next paragraph....

The Hong Kong version's climactic inferno is replaced by a happier, less corpse-strewn ending. If you have 12-year-olds in the house, they're better off seeing this passably crafted plodder than any number of more venal or torture-prone exercises.

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