'Funny People' review

Judd Apatow tries tackling life and death and winds up in dramatic purgatory

By Matt Pais

Metromix
July 30, 2009

 
Critic's Rating:
3

'Funny People' review
Adam Sandler (Credit: Tracy Bennett/Universal)
Photos:
Adam Sandler and Seth Rogen Adam Sandler Seth Rogen Leslie Mann
Funny People
Running time:
146 minutes
Rated:
R
Cast:
Adam Sandler -
George Simmons
Seth Rogen -
Ira
Leslie Mann -
Laura
Eric Bana -
Clarke
Jonah Hill -
Leo
See full cast
Director:
Judd Apatow
Official Movie Web Site:
http://www.funnypeoplemovie.com/
Movie Trailer:
Overall User Rating:
1 (40 ratings)
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Superstar comedian George Simmons (Adam Sandler) is ashamed of making crappy movies like "My Best Friend is a Robot" and, despite the brief pleasures of sleeping with random fans, still misses his now-married ex (Leslie Mann, great in an underwritten role). George then gets a jolt of perspective when he's diagnosed with a likely terminal form of leukemia, prompting the funnyman to hire aspiring comic Ira (Seth Rogen) as his joke-writer and personal assistant.

The buzz: Rest assured, Judd Apatow fans, that just because the writer-director's latest confronts the D-word doesn't mean "Funny People" has fewer penis-related jokes than usual. (There are actually more than ever, littered throughout the 146-minute movie.) Apatow's challenge with "Funny People" will be to prove—in moments demanding greater weight than anything in "The 40-Year-Old Virgin" or "Knocked Up"—that he can do drama with the same sharp, original voice he brings to comedy.

The verdict: Of course "Funny People" is funny; it wouldn't be a Judd Apatow movie without actors who turn self-deprecation and casual insults into hilarious venom. (The film takes a particularly delicious bite out of show business.) Yet "Funny People" doesn't know what to do with George's situation, particularly as his outlook improves, and turns Ira from a main character into a sidekick without his own arc. Tiptoeing around softened explorations of mortality and infidelity, Apatow shares his characters' tendency to employ humor as a defense mechanism—which, in this case, feels like a filmmaker stretching his legs without actually using them. The film asks to be seen as more than the sum of its laughs but can't come up with anything more profound than "Don't know what you got 'til it's gone."

Did you know? In a brief cameo Eminem laments not being able to do everyday things like go to Chuck E. Cheese. If there's anything tragic about celebrity, it's the way it cuts into your Skee-Ball time.

Video: Watch Matt's review of 'Funny People'

What other people are saying...

No-pic-dude

afcsbzt from Loveland - August 09, 2009 at 8:19 PM

How anyone can enjoy this trash to me says a lot about our society. Why oh why do we have to be subjected to so much filthy language. It does not a...

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